Kebaya
A Kebaya is a traditional blouse-dress combination worn by women in Indonesia,Malaysia, Brunei, Burma, Singapore, southern Thailand. It is sometimes made from sheer material such as silk, thin cotton or semi-transparent nylon or polyester, adorned withbrocade or floral pattern embroidery. Kebaya usually worn with a sarong or batik kain panjang, or other traditional woven garment such as ikat, songket with a colorful motif.
The kebaya is the national costume of Indonesia, although it is more accurately endemic to the Javanese, Sundanese and Balinese peoples.
History
The earliest form of Kebaya originates in the court of the Javanese MajapahitKingdom as a means to blend the existing female Kemban, torso wrap of the aristocratic women to be more modest and acceptable to the newly adopted Islam religion. Aceh, Riau and Johor Kingdoms and Northern Sumatra adopted the Javanese style kebaya as a means of social expression of status with the more alus or refined Javanese overlords.
The name of Kebaya as a particular clothing type was noted by the Portuguese when they landed in Indonesia. Kebaya is associated with a type of blouse worn by Indonesian women in 15th or 16th century. Prior to 1600, kebaya on Java island were considered as a sacred clothing to be worn only by royal family, aristocrats (bangsawan) and minor nobility, in an era when peasant men and many women walked publicly bare-chested.
Slowly it naturally spread to neighbouring areas through trade, diplomacy and social interactions to Malacca, Bali, Sumatra, Borneo, Sulawesi and the Sultanate of Sulu andMindanao Javanese kebaya as known today were noted by Raffles in 1817, as being of silk, brocade and velvet, with the central opening of the blouse fastened by brooches, rather than button and button-holes over the torso wrap kemben, the kain (and unstitched wrap fabric several metres long erroneously termed 'sarong in English (a sarung (Malaysian accent: sarong) is stitched to form a tube, like a Western dress) After hundreds of years of regional acculturation, the garments have become highly localised expressions of ethnic culture, artistry and tailoring traditions.
The earliest photographic evidence of the kebaya as known today date from 1857 of Javanese, Peranakan and Eurasian styles.
Modern usage and innovations
Apart from traditional kebaya, fashion designers are looking into ways of modifying the design and making kebaya a more fashionable outfit. Casual designed kebaya can even be worn with jeans or skirts. For weddings or formal events, many designers are exploring other types of fine fabrics like laces to create a bridal kebaya.
Modern-day kebaya now incorporate modern Western tailoring innovations such as clasps, zippers and buttons- zippers being a much appreciated addition for ladies' requiring the bathroom, without requiring being literally unwrapped by a helper- to the extent the true kain is near unanimously rejected. Other modern innovations have included the blouse baju kebayaworn without the restrictive kemben, and eve the kebaya blouse worn with slacks or made of the fabric usually for the kain panjang.
The "Singapore Girl" uniform worn by Singapore Airlines stewardesses is a rather more tight-fitting interpretation of the traditional costume by French haute couture designerPierre Balmain in 1972, considered an international icon. The female flight attendant ofMalaysia Airlines also featuring batik kebaya as their uniform.
The female uniform of Garuda Indonesia flight attendants is more authentic modern interpretations, the kebaya is designed in simple yet classic kartini style kebaya derived from 19th century kebaya of Javanese noblewomen. The kebaya made from fire-proof cotton-polyester fabrics, with batik sarongs in parang or lereng gondosuli motif, which also incorporate garuda's wing motif and small dots represent jasmine
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